Spring Exhibition

A selection of the oil paintings, watercolours and drawings in our Spring exhibition and sale. Please click on the thumbnail image to view a larger illustration.

Pictures are listed alphabetically by artist`s surname.

Select Page: [1] [2] [3] [4]

Click to Enlarge 19th Century ENGLISH SCHOOL
Dartmouth and Kingswear from Mount Boone
Oil on canvas
18” x 36” (45.7 cm x 91.4 cm)

Click to Enlarge Charles William ADDERTON (exhib. 1884 - 1937)
Coming Ashore
Watercolour. Signed.
9¾” x 13¾” (24.8 cm x 34.9 cm)

Click to Enlarge Michelle BENNETT OATES (contemporary)
Poppies, Iris and Clematis
Oil on board. Signed.
20” x 24” (50.8 cm x 61 cm)

Click to Enlarge Michelle BENNETT OATES (contemporary)
Wine and Magenta Iris, White Oriental Poppy
Oil on board. Signed.
17” x 15” (43.2 cm x 38.1 cm)

Click to Enlarge Michelle BENNETT OATES (contemporary)
On the Alert
Oil on board. Signed.
24” x 24” (61 cm x 61 cm)

Click to Enlarge Michelle BENNETT OATES (contemporary)
Chasing in the Snow
Oil on board. Signed.
12” x 20” (30.5 cm x 50.8 cm)

Click to Enlarge Samuel John Lamorna BIRCH, RA RWS (1869 - 1955)
Denham Bridge on the River Tavy
Watercolour. Signed.
Inscribed verso: “Old Bridge on the Tavy - Early spring”.
10¼” x 13¾” (26 cm x 34.9 cm)

Click to Enlarge Georges Noël BOUVARD, French (1912 - 1975)
Towards Il Campanile di San Marco, Venice
Oil on canvas. Signed.
Georges Noël Bouvard came from a celebrated French family of artists, who specialised in scenes of Venice. Bouvard was actually a pseudonym, as the family name was, in fact, Béraud. Georges Noël was taught by his father, Éloi-Noël, who is often also referred to as Antoine. Bouvard senior visited Venice at the beginning of the 20th Century and instantly fell in love with the unique light, beautiful architecture and special atmosphere of this seductive city. Father and son worked together for many years and returned to Venice frequently throughout their careers. Using a bold palette, they produced exquisite paintings of the city’s glamorous vistas, with its bustling Grand Canal, charming backwaters and elegant buildings. These sensitive and evocative pictures of one of the world’s most beautiful cities were instantly successful at exhibitions in France, Italy and throughout Europe, and their popularity continues to the present day.
19” x 25” (48.3 cm x 63.5 cm)

Click to Enlarge Basil BRADLEY, RWS (1842 - 1904)
A Rest on the Moor
Watercolour. Signed.
9¾” x 14” (24.8 cm x 35.6cm)

Click to Enlarge Julie BRETT (1939 - 2010)
Back from the Surf
Pastels. Signed.
8¾” x 5¾” (22.3 cm x 14.7 cm)

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