Gallery

The Gallery contains a selection of our traditional and impressionist oil paintings, watercolours and drawings. Please click on the thumbnail image to view a larger illustration.

Pictures are listed alphabetically by artist`s surname.

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Click to Enlarge Christopher CLARK, RI (1875 - 1942)
Great Britain, 1932
Gouache. Signed and dated.
The original artwork for a London Midland & Scottish Railway (LMS) advertising poster. Inscribed: “Great Britain Sporting and Social Events”.
13¼” x 12½” (33.7 cm x 31.8 cm)


Click to Enlarge Lionel Dalhousie Robertson EDWARDS, RI RCamA (1878 - 1966)
The Stable Yard
Pencil. Signed with initials.
Provenance: Private collection. Original illustration for "Mayfly - the Grey Pony" by Eleanor Helme, published in 1935. Inscribed: “… the farmer and his son rode in, leading …”. This drawing features the famous 1930s racehorse, Brown Jack. He ranks as one of the greatest thoroughbreds of all time, having won 25 races between 1929 and 1934, including the Queen Alexandra Stakes at Ascot in each of those six years.
9” x 11½” (22.9 cm x 29.2 cm)


Click to Enlarge John FAULKNER, RHA (Irish, 1835 - 1894)
Vessels off the Coast
Watercolour. Signed.
8" x 14¾" (20.3 cm x 37.5 cm)


Click to Enlarge Heywood HARDY, ROI ARWS RP RE (1842 - 1933)
A Kind Gesture
Oil on canvas. Signed.
Provenance: Private collection, United Kingdom.
15” x 10¾” (38.1 cm x 27.3 cm)


Click to Enlarge Harold Charles Francis HARVEY (1874 - 1941)
Home from the Fields
Oil on canvas. Signed and dated ’07.
The only principal member of the Newlyn School to have been born in Cornwall, Harvey painted scenes of everyday life with an intimate, personal knowledge of the area and its people. He was taught firstly by the Penzance-based artist Norman Garstin and then studied in Paris at l’Atelier Julian. He was influenced by the French rural realism of Jules Bastien-Lepage and, on his return from Paris, recorded the day-to-day lives of working Cornish people, painting out of doors, in the fields and country lanes, by the harbours and on the beaches near his home. Harvey exhibited at the major galleries throughout Britain, including 55 works at The Royal Academy. A modest, retiring person, he was popular among his fellow artists and is regarded today as one of the most important painters of the Newlyn School.
12” x 16” (30.5 cm x 40.6 cm)


Click to Enlarge Arthur HAYWARD (1889 - 1971)
Low Tide, Mousehole
Oil on board. Signed.
Inscribed verso: “Afternoon, Mousehole Harbour. A. Hayward, Shore Studio, St. Ives”.
11½” x 9½” (29.2 cm x 24.2 cm)


Click to Enlarge William JOY (1803 - 1867)
A Royal Navy Cutter at Anchor, 1856
Watercolour. Signed and dated.
10½” x 14¾” (26.7 cm x 37.5 cm)


Click to Enlarge John Anthony PARK, ROI RBA (1878 - 1962)
Return of the Fishing Boats, St. Ives
Oil on panel. Signed.
Park arrived in St. Ives at the age of 19 and was taught by the impressionist seascape painter, Julius Olsson, who, with Louis Monro Grier, had founded an art school in his studio overlooking Porthmeor Beach. Olsson encouraged his young pupil to broaden his horizons by enrolling at l’Atelier Colarossi in Paris to study with Delacluse. On his return to St. Ives, Park produced sparkling paintings of the town, its busy harbour and surrounding countryside, winning considerable acclaim. With a vibrant impressionist touch, he excelled at depicting the colourful hulls of the working boats and the changing effects of reflection and light on the water. He was a regular exhibitor at the principal galleries, including The Royal Academy, where he showed 72 works.
15” x 19” (38.1 cm x 48.3 cm)


Click to Enlarge William PAYNE (1760 - 1830)
Cawsand Bay
Watercolour. Signed.
Provenance: Sotheby's, January 1972. Inscribed verso.
5" x 6½" (12.7 cm x 16.5 cm)


Click to Enlarge Robert Ernest ROE (1851 - 1930)
Leaving Harbour
Oil on board. Signed.
Provenance: The artist's family.
7½” x 11½” (19.1 cm x 29.2 cm)

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