The Gallery contains a selection of our traditional and impressionist oil paintings, watercolours and drawings. Please click on the thumbnail image to view a larger illustration.

Pictures are listed alphabetically by artist`s surname.

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Click to Enlarge Peter BIEGEL (1913 - 1988)
New Friends
Watercolour. Signed. Dated ‘69.
13Ύ” x 20” (34.9 cm x 50.8 cm)

Click to Enlarge Julie BRETT (1939 - 2010)
Golden Evening, Polkerris
Pastels. Signed.
8” x 16” (20.3 cm x 40.6 cm)

Click to Enlarge Julie BRETT (1939 - 2010)
Sea Pinks, Dollar Cove
Pastels. Signed.
5½” x 15” (14 cm x 38.1 cm)

Click to Enlarge Julie BRETT (1939 - 2010)
Rocky Shore
Pastels. Signed.
11” x 15Ό” (27.9 cm x 38.8 cm)

Click to Enlarge Edith BYERS (1871 - 1956)
Portrait of a Young Woman
Charcoal. Signed and dated 1901.
12Ύ” x 9Ύ” (32.4 cm x 24.8 cm)

Click to Enlarge Christopher CLARK, RI (1875 - 1942)
Great Britain, 1932
Gouache. Signed and dated.
The original artwork for a London Midland & Scottish Railway (LMS) advertising poster. Inscribed: “Great Britain Sporting and Social Events”.
13Ό” x 12½” (33.7 cm x 31.8 cm)

Click to Enlarge Lionel Dalhousie Robertson EDWARDS, RI RCamA (1878 - 1966)
The Stable Yard
Pencil. Signed with initials.
Provenance: Private collection. Original illustration for "Mayfly - the Grey Pony" by Eleanor Helme, published in 1935. Inscribed: “… the farmer and his son rode in, leading …”. This drawing features the famous 1930s racehorse, Brown Jack. He ranks as one of the greatest thoroughbreds of all time, having won 25 races between 1929 and 1934, including the Queen Alexandra Stakes at Ascot in each of those six years.
9” x 11½” (22.9 cm x 29.2 cm)

Click to Enlarge John FAULKNER, RHA (Irish, 1835 - 1894)
Vessels off the Coast
Watercolour. Signed.
8" x 14Ύ" (20.3 cm x 37.5 cm)

Click to Enlarge Heywood HARDY, ROI ARWS RP RE (1842 - 1933)
A Kind Gesture
Oil on canvas. Signed.
Provenance: Private collection, United Kingdom.
15” x 10Ύ” (38.1 cm x 27.3 cm)

Click to Enlarge Harold Charles Francis HARVEY (1874 - 1941)
Home from the Fields
Oil on canvas. Signed and dated ’07.
The only principal member of the Newlyn School to have been born in Cornwall, Harvey painted scenes of everyday life with an intimate, personal knowledge of the area and its people. He was taught firstly by the Penzance-based artist Norman Garstin and then studied in Paris at l’Atelier Julian. He was influenced by the French rural realism of Jules Bastien-Lepage and, on his return from Paris, recorded the day-to-day lives of working Cornish people, painting out of doors, in the fields and country lanes, by the harbours and on the beaches near his home. Harvey exhibited at the major galleries throughout Britain, including 55 works at The Royal Academy. A modest, retiring person, he was popular among his fellow artists and is regarded today as one of the most important painters of the Newlyn School.
12” x 16” (30.5 cm x 40.6 cm)

Select Page: [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11]

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