Gallery

The Gallery contains a selection of our traditional and impressionist oil paintings, watercolours and drawings. Please click on the thumbnail image to view a larger illustration.

Pictures are listed alphabetically by artist`s surname.

Select Page: [1] [2] [3] [4]

Click to Enlarge Helen Mary Elizabeth ALLINGHAM, RWS (1848 - 1926)
The Young Fruit Seller, Venice
Watercolour. Signed.
12 x 9 (31.8 cm x 22.9 cm)


Click to Enlarge John BARRETT (flourished 1865 - 1895)
An October Afternoon in a Dartmoor Coombe
Watercolour. Signed.
6 x 13 (16.5 cm x 34.9 cm)


Click to Enlarge Samuel John Lamorna BIRCH, RA RWS (1869 - 1955)
Lamorna Quay
Watercolour. Signed. Inscribed verso.
10 x 14 (26 cm x 35.6 cm)


Click to Enlarge Samuel John Lamorna BIRCH, RA RWS (1869 - 1955)
My Studio, Lamorna
Oil on canvas. Signed. Further signed and inscribed verso.
The subject is Birchs own studio, with its colourful garden in full bloom, set beside the stream which flows through the Lamorna woods, down to the rocky cove and the sea. Birch moved to Lamorna in 1892, the year before he made his debut at The Royal Academy. As a painter of pure landscape and seascape, he loved the freshness and spontaneity of working en plein air. Although greatly influenced by the French Impressionists, he developed a distinctive style of his own. His handling of colour and his treatment of water and reflected light are instantly recognisable.
20 x 24 (50.8 cm x 61 cm)


Click to Enlarge Samuel John Lamorna BIRCH, RA RWS (1869 - 1955)
Spring Morning in Rocky Lane, Lamorna
Watercolour. Signed. Inscribed verso.
10 x 15 (27.3 cm x 38.1 cm)


Click to Enlarge Georges Nol BOUVARD, French (1912 - 1975)
Towards Il Campanile di San Marco, Venice
Oil on canvas. Signed.
Georges Nol Bouvard came from a celebrated French family of artists, who specialised in scenes of Venice. Bouvard was actually a pseudonym, as the family name was, in fact, Braud. Georges Nol was taught by his father, loi-Nol, who is often also referred to as Antoine. Bouvard senior visited Venice at the beginning of the 20th Century and instantly fell in love with the unique light, beautiful architecture and special atmosphere of this seductive city. Father and son worked together for many years and returned to Venice frequently throughout their careers. Using a bold palette, they produced exquisite paintings of the citys glamorous vistas, with its bustling Grand Canal, charming backwaters and elegant buildings. These sensitive and evocative pictures of one of the worlds most beautiful cities were instantly successful at exhibitions in France, Italy and throughout Europe, and their popularity continues to the present day.
19 x 25 (48.3 cm x 63.5 cm)


Click to Enlarge Julie BRETT (1939 - 2010)
Golden Evening, Polkerris
Pastels. Signed.
8 x 16 (20.3 cm x 40.6 cm)


Click to Enlarge Julie BRETT (1939 - 2010)
Passing the Rocks, Kynance
Pastels. Signed.
11 x 11 (29.2 cm x 29.2 cm)


Click to Enlarge Julie BRETT (1939 - 2010)
Sea Pinks, Dollar Cove
Pastels. Signed.
5 x 15 (14 cm x 38.1 cm)


Click to Enlarge Julie BRETT (1939 - 2010)
Rocky Shore
Pastels. Signed.
11 x 15 (27.9 cm x 38.8 cm)

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