Cornwall Exhibition

A selection of the oil paintings, watercolours and pastels in our Cornwall exhibition and sale. Please click on the thumbnail image to view a larger illustration.

Pictures are listed alphabetically by artist`s surname.

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Click to Enlarge Denys Maurice Orlando Prideaux LAW (1907 - 1981)
Winter Sunshine, Lamorna
Oil on board. Signed.
15Ύ” x 12Ύ” (40 cm x 32.4 cm)


Click to Enlarge Richard Hayley LEVER, RBA (1875 - 1958)
Morning Haze, St. Ives
Oil on canvas. Signed.
Provenance: Private collection, New York. Richard Hayley Lever is recognised as one of the most important and innovative painters working in St. Ives in the first decade of the 20th Century. Cornwall was at the forefront of British art at this time and St. Ives, where Lever spent 15 years, was renowned worldwide as a centre for seascape and landscape painting. In this beautifully executed example, Lever has skilfully accentuated the darker foreground shapes of the boats and harbour in contrast with the soft haze that suffuses the water, sky and buildings on the shore.
10” x 12½” (25.4 cm x 31.8 cm)


Click to Enlarge Richard Hayley LEVER, RBA (1875 - 1958)
Summer, St. Ives, 1913
Oil on canvas. Signed and dated.
Provenance: Jordan Volpe Gallery, New York and private collection. An important work by this significant figure in the history of St. Ives art. Lever spent 15 years in Cornwall and established an international reputation for his marine and harbour paintings. Highly innovative, he experimented in a variety of styles and was particularly inspired by Van Gogh’s use of bold colour and strong brushwork. From 1912, Lever made several visits to the United States and eventually emigrated there in 1914. His success in New York was instant and his scenes of St. Ives, which he continued to paint, proved hugely popular among American collectors.
18” x 24” (45.7 cm x 61 cm)


Click to Enlarge Richard Hayley LEVER, RBA (1875 - 1958)
Fishermen, St. Ives
Oil on canvas
Provenance: The artist’s estate and Bernard Black Gallery, New York. Label verso.
12½” x 16” (31.8 cm x 40.6 cm)


Click to Enlarge Duncan PALMAR (contemporary)
High Tide, Lerryn
Oil on board. Signed.
14” x 23½” (35.6 cm x 59.7 cm)


Click to Enlarge Duncan PALMAR (contemporary)
Over the Rooftops, Mousehole
Oil on board. Signed.
11Ό” x 29Ό” (28.6 cm x 74.3 cm)


Click to Enlarge John Anthony PARK, ROI RBA (1878 - 1962)
Silver Light, St. Ives
Oil on panel. Signed.
12½” x 15½” (31.8 cm x 39.4 cm)


Click to Enlarge Arthur Wilde PARSONS, RWA (1854 - 1931)
Stormy Weather, Falmouth, 1915
Watercolour. Signed and dated. Inscribed verso.
16½” x 28Ό” (42 cm x 71.8 cm)


Click to Enlarge Arthur Wilde PARSONS, RWA (1854 - 1931)
The Drifter “Wave” entering Fowey Harbour
Watercolour. Signed and dated 1915.
9½” x 16” (24.2 cm x 40.6 cm)


Click to Enlarge Rosalind PIERSON, PRMS PPHS MAA MASF MPSG (contemporary)
Restless Waves
Watercolour. Signed.
4” x 3” (10.2 cm x 7.6 cm)

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