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Gallery
The Gallery contains a selection of our traditional and impressionist oil paintings, watercolours and drawings. Please click on the thumbnail image to view a larger illustration.
Pictures are listed alphabetically by artist`s surname.
Select Page: [1] [2] [3] [4] [5] [6] [7] [8] [9] [10]
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Helen Mary Elizabeth ALLINGHAM, RWS (1848 - 1926)
The Young Fruit Seller, Venice
Watercolour. Signed.
12½” x 9” (31.8 cm x 22.9 cm)
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Sir Wyke BAYLISS, PRBA HRMS FSA (1835 - 1906)
Westminster Abbey
Watercolour. Signed and dated 1893. Inscribed verso.
Sir Wyke Bayliss specialised in painting the interiors of British and European churches and cathedrals. He studied at The Royal Academy Schools and The School of Design. He was elected a member of The Royal Society of British Artists in 1865 and served as the Society's President from 1888 until his death. Bayliss was elected a Fellow of The Society of Antiquaries in 1870 and was knighted by Queen Victoria in 1897.
9¾” x 14½” (24.8 cm x 36.8 cm)
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Samuel John Lamorna BIRCH, RA RWS (1869 - 1955)
Lamorna Quay
Watercolour. Signed. Inscribed verso.
10¼” x 14” (26 cm x 35.6 cm)
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Samuel John Lamorna BIRCH, RA RWS (1869 - 1955)
My Studio, Lamorna
Oil on canvas. Signed. Further signed and inscribed verso.
The subject is Birch’s own studio, with its colourful garden in full bloom, set beside the stream which flows through the Lamorna woods, down to the rocky cove and the sea. Birch moved to Lamorna in 1892, the year before he made his debut at The Royal Academy. As a painter of pure landscape and seascape, he loved the freshness and spontaneity of working en plein air. Although greatly influenced by the French Impressionists, he developed a distinctive style of his own. His handling of colour and his treatment of water and reflected light are instantly recognisable.
20” x 24” (50.8 cm x 61 cm)
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Samuel John Lamorna BIRCH, RA RWS (1869 - 1955)
Spring Morning in Rocky Lane, Lamorna
Watercolour. Signed. Inscribed verso.
10¾” x 15” (27.3 cm x 38.1 cm)
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Georges Noël BOUVARD, French (1912 - 1975)
Towards Il Campanile di San Marco, Venice
Oil on canvas. Signed.
Georges Noël Bouvard came from a celebrated French family of artists, who specialised in scenes of Venice. Bouvard was actually a pseudonym, as the family name was, in fact, Béraud. Georges Noël was taught by his father, Éloi-Noël, who is often also referred to as Antoine. Bouvard senior visited Venice at the beginning of the 20th Century and instantly fell in love with the unique light, beautiful architecture and special atmosphere of this seductive city. Father and son worked together for many years and returned to Venice frequently throughout their careers. Using a bold palette, they produced exquisite paintings of the city’s glamorous vistas, with its bustling Grand Canal, charming backwaters and elegant buildings. These sensitive and evocative pictures of one of the world’s most beautiful cities were instantly successful at exhibitions in France, Italy and throughout Europe, and their popularity continues to the present day.
19” x 25” (48.3 cm x 63.5 cm)
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Julie BRETT (1939 - 2010)
Golden Evening, Polkerris
Pastels. Signed.
8” x 16” (20.3 cm x 40.6 cm)
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Julie BRETT (1939 - 2010)
Passing the Rocks, Kynance
Pastels. Signed.
11½” x 11½” (29.2 cm x 29.2 cm)
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Julie BRETT (1939 - 2010)
Sea Pinks, Dollar Cove
Pastels. Signed.
5½” x 15” (14 cm x 38.1 cm)
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Julie BRETT (1939 - 2010)
Low Tide, Polzeath
Pastels. Signed.
5½” x 15” (14 cm x 38.1 cm)
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Select Page: [1] [2] [3] [4] [5] [6] [7] [8] [9] [10]
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