Gallery

The Gallery contains a selection of our traditional and impressionist oil paintings, watercolours and drawings. Please click on the thumbnail image to view a larger illustration.

Pictures are listed alphabetically by artist`s surname.

Select Page: [1] [2] [3] [4] [5] [6] [7] [8] [9]

Click to Enlarge Lionel Dalhousie Robertson EDWARDS, RI RCamA (1878 - 1966)
Entering the Arena
Pencil. Signed with initials.
Provenance: Private collection. Original illustration for "Mayfly - the Grey Pony" by Eleanor Helme, published in 1935.
9” x 11¼” (22.9 cm x 28.6 cm)


Click to Enlarge Lionel Dalhousie Robertson EDWARDS, RI RCamA (1878 - 1966)
The Stable Yard
Pencil. Signed with initials.
Provenance: Private collection. Original illustration for "Mayfly - the Grey Pony" by Eleanor Helme, published in 1935. Inscribed: “… the farmer and his son rode in, leading …”. This drawing features the famous 1930s racehorse, Brown Jack. He ranks as one of the greatest thoroughbreds of all time, having won 25 races between 1929 and 1934, including the Queen Alexandra Stakes at Ascot in each of those six years.
9” x 11½” (22.9 cm x 29.2 cm)


Click to Enlarge John FAULKNER, RHA (Irish, 1835 - 1894)
Vessels off the Coast
Watercolour. Signed.
8" x 14¾" (20.3 cm x 37.5 cm)


Click to Enlarge Stanhope Alexander FORBES, RA NEAC (1857 - 1947)
The New Mount
Watercolour. Signed and dated 1919.
Forbes also produced an oil painting of this subject, which was exhibited in 1919 at The Royal Academy, No.83.
17¾” x 23¼” (45.1 cm x 59 cm)


Click to Enlarge Albert Moulton FOWERAKER, RBA (1873 - 1942)
Near Padstow
Watercolour. Signed.
7” x 9½” (17.8 cm x 24.2 cm)


Click to Enlarge Eugène GALIEN-LALOUE (1854 - 1941)
Dieppe
Oil on canvas. Signed (E. Galiany).
Eugène Galien-Laloue made his debut at le Salon des Artistes Français in 1877 at the age of 23 and continued to exhibit there throughout his life. He was born in Paris and was famous for his impressionist portrayal of the city and the lively atmosphere of Parisian society in La Belle Epoque. Yet he himself led a quiet life, shunning the entertainments which Paris had to offer. He enjoyed the solitude of the countryside and moved out of Paris many times to paint along the river banks, canals and coast of Normandy and Seine-et-Marne. He used a number of pseudonyms to overcome an exclusive contract with a major gallery. These included L. Dupuy, J. Lievin and E. Galiany, which are listed in le catalogue raisonné.
12½” x 17¾” (31.8 cm x 45.1 cm)


Click to Enlarge William GIBBONS (1841 - 1886)
Polperro, 1876
Oil on canvas. Signed and dated.
14½” x 24½” (36.8 cm x 62.2 cm)


Click to Enlarge Cedric GRAY (late 19th Century)
Whitby
Oil on board. Signed and dated ‘80.
4” x 11½” (10.2 cm x 29.2 cm)


Click to Enlarge Frederick HALL, NEAC RBC (1860 - 1948)
The Golden Hues of Autumn
Oil on canvas. Signed.
Exhibited: Penlee House Gallery & Museum, Penzance, 2016 “Fred Hall, from Newlyn School to Caricature”. Having trained at the Lincoln School of Art and Charles Verlat’s Academy in Antwerp, Frederick Hall was among the first group of artists to settle in Newlyn in the 1880s. His beautifully observed compositions, painted en plein air, reveal a fluent impressionist touch and a skilful interpretation of light and colour. Hall exhibited at the principal galleries throughout Britain, including 69 times at The Royal Academy.
24” x 20” (61 cm x 50.8 cm)


Click to Enlarge Heywood HARDY, ROI ARWS RP RE (1842 - 1933)
A Kind Gesture
Oil on canvas. Signed.
Provenance: Private collection, United Kingdom.
15” x 10¾” (38.1 cm x 27.3 cm)

Select Page: [1] [2] [3] [4] [5] [6] [7] [8] [9]



[Home] [About Us] [Gallery] [Contemporary Gallery]
[Julie Brett] [Location] [Contact]